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Bridge Text
The crisp character gives long reads a comfortable, sparkling texture
Timber Covered bridges were built in the late 1700s to the late 1800s, reminiscent of earlier designs in Germany and Switzerland. In later years, some were partly made of stone or metal but the trusses were usually still made of wood; in the US, there were three styles of trusses, the Queen Post, the Burr Arch and the Town Lattice. Hundreds of these structures still stand in North America. They were brought to the attention of the general public in the 1990s by the novel, movie, and play The Bridges of Madison County.
Rhythm and Clarity

The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes.

Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching Italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design.

Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by more than optical adjustments. Letterforms and details are opened out or simplified for body text. Close up, the two-cornered counter shape that gives text a crisp character appears. Step back, and a smooth, calm texture for print publishing and digital media emerges. The daughter of classical Didone typefaces, Bridge has a vertical stress and a modern treatment.

With hands-on OpenType features like small caps and case-sensitive punctuation and more than 800 glyphs, Bridge can fulfil your every display need. The encoding gives a wide range of Latin language support and additional helpful symbols like the charming manicules and dingbats complete a rich typographic palette.

Bridge’s ideas and foundations began during TypeMedia 2018 in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you!

Designed by
Mona Franz
in 2019
Specs
Providing 830 glyphs, 10 styles and 5 weights
Formats
otf and ttf for desktop and apps, and woff and woff2 for web
Tags
SerifRegularBody TextIdentityPublishingLatinCleanElegantVariable FontItalicsSmall CapsSuper FamilyLigatures
Related Typefaces
Bridge Head, Pensum Pro, Meret, Franziska

Styles

  • Light
  • Light Italic
  • Regular
  • Regular Italic
  • Medium
  • Medium Italic
  • Bold
  • Bold Italic
  • xBold
  • xBold Italic
Character Set
Language Support
Supports more than 200 Languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Azerbaijani, Bashkir, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz , Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic, Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Inari , Sami Lule, Sami Northern, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian (Lower, Upper), Sotho (Northern, Southern), Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni
OpenType Features
All OpenType Features included: Access All Alternates, Capital Spacing, Caps to Small Caps, Case Sensitive, Contextual Alternates, Denominator, Discretionary Ligatures, Fractions, Glyph Composition/Decomposition, Kerning, Ligatures, Lining Figures, Localized Forms, Mark to Mark Positioning, Numerators, Old style Figures, Ordinals, Proportional Figures, Scientific Inferiors, Slashed Zero, Small Capitals, Stylistic Alternates, Stylistic Set: Circled figures, Stylistic Set: Expressive German Eszett (Munich Eszett), Stylistic Set: Solid circled figures, Stylistic Set: Tabular Width Set, Subscript, Superscript, Tabular Figures

In-Use & Articles

Tim Raue – Rezepte aus der Brasserie
Bridge and Cera in Use
“All Inclusive“ Magazine
Bridge Head and Text in Use
Typotopografie Magazine: Hamburg Edition
Bridge and Halvar in Use
Mona’s Desk
TypeMedia 2018
Make it Different to Match
Making Of Bridge Text and Head